Wesley Morris of the New York Times listed MJF for his performance in “Le Dinner Debonair” among Best Performances of 2020.
The segment aired back in October with Chis Jericho. Here is an excerpt from the article:
“Some weeks the athleticism at this professional wrestling start-up is more exciting than anything happening in Vince McMahon’s empire. And no one in the WWE has this kid’s combination of diction (Juilliard by way of Long Island), intensity or cheesiness, either. Even when Friedman’s lost his cool (his nom de ring is MJF), he still has astounding control. The character is part heel, part tool (hair gel, loafers, Burberry bling — tacky, tacky, tacky) and part goodfella wannabe; his mouth does more running than he does. For reasons only the producers of this show can explain, a long segment in October between MJF and the veteran Chris Jericho culminated in a version of ‘Me and My Shadow’ complete with dancing women and live singing. It was less than spectacular, though not for anything Friedman did. He wasn’t embarrassed at all. He was smooth in a way that should worry Ric Flair. This kid makes you wanna say, ‘Woo!’”
HUGE props from @nytimes for @The_MJF & #DinnerDebonair! Once again proof that Pro Wrestling comes in many shapes & forms…but the most important thing is that it ENTERTAINS! In other news, the Louisville Dipshit Times is still whining about it… ??
https://t.co/NmO5YBu6QQ— Chris Jericho (@IAmJericho) December 4, 2020
